By Robert Skloot
During this pioneering quantity, Robert Skloot brings jointly 4 plays—three of that are released right here for the 1st time—that fearlessly discover the face of recent genocide. The scripts care for the destruction of 4 special populations: Armenians in Lorne Shirinian’s Exile within the Cradle, Cambodians in Catherine Filloux’s Silence of God, Bosnian Muslims in Kitty Felde’s A Patch of Earth, and Rwandan Tutsis in Erik Ehn’s Maria Kizito. Taken jointly, those 4 performs erase the limits of theatrical realism to give tales that probe the activities of the perpetrators and the affliction in their sufferers. a tremendous inventive contribution to the learn of the historical past and results of genocide, this assortment incorporates at the vital trip towards knowing the fear and trauma to which the fashionable global has so frequently been witness.
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Extra info for The Theatre of Genocide: Four Plays about Mass Murder in Rwanda, Bosnia, Cambodia, and Armenia
Gary Weismann, Fantasies of Witnessing: Postwar Efforts to Experience the Holocaust (Ithaca, NY: Cornell University Press, 2004), 207. The description of the “breakdown” is taken from an essay by Andreas Huyssen. Many Holocaust writers and critics deal with this ethical-artistic issue but rarely discuss theatre. Such is the case with, for example, Saul Friedlander’s Probing the Limits of Representation (1992) and Michael Rothberg’s Traumatic Realism (2000). , Staging the Holocaust: The Shoah in Drama and Performance (Cambridge, UK: Cambridge University Press, 1998).
I don’t know how much time I have. The Young Turk government has issued an order to arrest all Armenians in the city suspected of antigovernment opinions. Two days ago on the 24th, shortly after ten o’clock, groups of armed gendarmes went through the Pera district and took over two thousand of our artists, intellectuals, and community leaders to the central police 32 Exile in the Cradle station. They’ve been kept there for three days, but I’ve seen them just now. They were marched through the streets to the train station and forced into cars.
Your revolutionaries are planning actions against our government. It’s too dangerous in the capital. pierre: Dangerous for whom? ) hagop: And after the questioning? salim: When the government decides it is safe for you to return, this very train will take you home. hagop (hagop looks to pierre relieved ): You see; it’s as I told you. No doubt we’ll be home in a matter of days. salim (he smiles): Eench Allah. Whatever god wills. ) Your name. pierre: Pierre Srabian. salim (he searches his memory): Srabian.
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