By Edward Clarke (auth.)
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Additional resources for The Later Affluence of W. B. Yeats and Wallace Stevens
Refer[s] to the unity of multiplicity. When things are differentiated, they are called individual things. When things are united, none of them functions any longer as an individual being. Each becomes a member of the unity. This is the aspect of non-being. (1975: 30) The hub of the wheel functions like the ‘site’ of the poet’s ‘unspoken statement’, in this world giving and taking ‘meaning’ from this world. Meister Eckhart called it ‘a strange land, a wilderness’. He recognized that in ‘created things’, that is, individual, differentiated things, there is no truth.
Prologue: ‘Of the planet of which they were part’ 21 ‘Of the human and dramatic Imagination the works of Shakespear are an inexhaustible source’ (1815: i. xxix and xxx), he adds. Blake’s Milton is composed to transform a seventeenth-century Christian epic into a magically regenerative book. Blake, Wordsworth, Yeats and Stevens would all ‘say’ that ‘God and the imagination are one’. By also understanding that certain English poems are repositories of divine knowledge, Romantic poets have discovered for us, not the cause, but the ‘moving soul’ (1805, xiii.
In our sceptical age we also need philosophical or ontological evidence. How could anyone possibly object to the passages of ancient wisdom that I have quoted? Catherine Belsey complains: Subjectivity . . is linguistically and discursively constructed and displaced across the range of discourses in which the concrete individual participates. It follows from Saussure’s theory of language as a system of differences that the world is intelligible only in discourse: there is no unmediated experience, no access to the raw reality of self and others.
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