By William Faulkner
The Hamlet, the 1st novel of Faulkner's Snopes trilogy, is either an ironic tackle classical tragedy and a mordant remark at the grand pretensions of the antebellum South and the depths of its decay within the aftermath of conflict and Reconstruction. It tells of the arrival and the increase of the Snopes relatives in Frenchman's Bend, a small city outfitted at the ruins of a once-stately plantation. Flem Snopes -- wily, full of life, a guy of shady origins -- fast involves dominate the city and its individuals with his crafty and guile.
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Extra resources for The Hamlet (Snopes Trilogy, Book 1)
3–4). ” While some softhearted readers might claim such vindictiveness to be inappropriate for true Christians and call instead for mercy, Wigglesworth’s Saints see the theological foolishness of such views and say instead, “Now such compassion is out of fashion, / and wholly laid aside” (# 96, ll. 5–6). Given the premises outlined by the Synod of Dort, there is no reason to feel sorry for anyone condemned to eternal hellﬁre. ” (#2, ll. 5–8). But, suppose someone should object that the human soul is incapable of repentance on its own: “You argue then: But abject men, / whom God resolves to spill, / Cannot repent, nor their hearts rent; ne can they change their will” (#53, ll.
Come to be recognized as perhaps the ﬁnest mind ever to emerge in America . ” (3). For that very reason, it is only to be expected—or perhaps it is not—that Edwards’s most famous work, the sermon “Sinners in the Hands of an Angry God” (74), would abound in Calvinist humor. Cleanth Brooks, R. W. B. Lewis, and Robert Penn Warren write in their anthology of American literature that Edwards was “the strictest and most uncompromising Calvinist New England ever produced” (83). And, even Edwards’s very sympathetic biographer, George M.
13 In summary, Heimert goes on to say that “Edwards has . . come to be recognized as perhaps the ﬁnest mind ever to emerge in America . ” (3). For that very reason, it is only to be expected—or perhaps it is not—that Edwards’s most famous work, the sermon “Sinners in the Hands of an Angry God” (74), would abound in Calvinist humor. Cleanth Brooks, R. W. B. Lewis, and Robert Penn Warren write in their anthology of American literature that Edwards was “the strictest and most uncompromising Calvinist New England ever produced” (83).
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