By William B. Yeats; Richard J. Finneran, Mary FitzGerald (eds.)
The amassed Works of W. B. Yeats, quantity VIII: The Irish Dramatic Movement is a part of a fourteen-volume sequence below the overall editorship of eminent Yeats students Richard J. Finneran and George generators Harper. this entire variation comprises almost the entire Nobel laureate's released paintings, in authoritative texts and with wide explanatory notes.
Edited via the prestigious Yeats students Mary FitzGerald and Richard J. Finneran, The Irish Dramatic Movement gathers jointly -- for the 1st time -- all the poet's commonly used essays on drama and the groundbreaking stream that resulted in the long-lasting Irish theater of this present day.
even though the acceptance of W. B. Yeats as one of many preeminent writers of the 20th century rests totally on his poetry, drama and the theatre have been between his abiding issues. certainly, in 1917 he wrote, "I desire a theatre; i think myself to be a dramatist." the following during this quantity is the gathering of all his significant dramatic feedback for the years 1899-1919, together with formerly uncollected fabric.
A practising dramatist himself, Yeats had robust convictions in regards to the ambitions of the Irish theater and the perfect performs to be produced. The essays during this assortment handle many subject matters, from the turbulent early years of what grew to become the Abbey Theatre to the controversies over the performs of John Millington Synge and the connection among drama and nationalism. additionally glaring are Yeats's judgments on a number of performs, playwrights, and productions, either in Irish and in English.
FitzGerald and Finneran's quantity comprises an creation and a background of the textual content, in addition to copious yet unobtrusive annotation. The Irish Dramatic Movement is a vital quantity for either readers of Yeats and scholars of the early years of twentieth-century theater.
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Extra resources for The Collected Works of W.B. Yeats Volume VIII: The Irish Dramatic Movement
17 By 19 March 1923, Yeats had completed preparing copy for the volume—which by then also included Four Plays for Dancers (1921) and was to be called Plays and Controversies. 18 Forwarding the copy to Macmillan on 25 June 1923, Watt quoted from a letter “just received” which Yeats “wrote to me on 19 March but did not post”: “I send you the materials for the next volume in my collected edition” (BL 54898÷243-44). Macmillan acknowledged receipt of the copy on 27 June 1923 (BL 55589÷344) and did not delay long in putting the work into production.
YEATS ÷ DE LUXE EDITION” and forwarded them to Watt on 27 October 1936 (BL 55786÷497), asking Yeats to annotate and return one copy and retain the other. Watt was able to send the copy with Yeats’s comments to Macmillan on 10 November 1936 (BL 54903÷148), Macmillan receiving it on 12 November 1936 (BL 55787÷362). ”23 Probably at some time after 14 November 1936, when Macmillan refused to let Scribner’s have their proofs for the Edition de Luxe (55787÷444-45), Yeats added a note indicating that they should take the text of The Irish Dramatic Movement from Plays and Controversies.
However, neither piece had been included in that volume. CL3 439n1 incorrectly states that the earlier letter was included in Samhain. 4 For this issue, the Dublin imprint was that of Maunsel & Co. and the English imprint that of A. H. Bullen, though the printing continued to be done in Dublin by Sealy, Bryers & Walker. 5 The Berg Collection at the New York Public Library also has a one-page “Supplement to ‘The Arrow,’” dated 8 December 1906, which offers an engraving of Queen Elizabeth by William Rogers and “Captain Headley’s Song” from Lady Gregory’s The Canavans.
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