By Alessandra Gilibert
The ceremonial facilities of the Syro-Hittite city-states (1200-700 BC) have been lavishly embellished with large-scale, open-air figurative reliefs - an unique and vastly influential creative culture. yet why precisely did the construction of such an array of enormous pictures ever begin? This quantity explores how Syro-Hittite enormous paintings was once used as a strong backdrop to special ritual occasions, and opens up a brand new viewpoint by way of situating enormous paintings within the context of public performances and civic spectacles of serious emotional effect, akin to processions, royal triumphs, and dynastic funerals.
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Additional resources for Syro-Hittite Monumental Art and the Archaeology of Performance: The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium BCE
Whether these categories relate to ethnic or linguistic differences (Aramaic vs. 35 36 For a comprehensive resume of the history of Zincirli, see further Tropper 1999. For an analysis of the linguistic character of these written sources, see Tropper 2001. 37 On Zincirli and other Syro-Anatolian polities acting as “willing servants of Assyria,” see Dion 2006. 1–2 858 Hayya allies with Sangara of Carchemish, Unqi, and Bit Adini against the Assyrian king, who allegedly wins two victories against the allied city-states: “I took away from him [Hayya] many chariots and horses broken to the yoke.
10 | Carchemish, Lower Palace Area: the gatehouse at the Great Staircase (after Carchemish III, Pl. 30). the main mound. The fortification wall of the latter may have run at the line of the inner gate jambs (Özyar 1991:96). 78 The upper parts of the gate façade were decorated with polychrome glazed bricks having geometric designs, of which only fragments were found (Carchemish III, Pl. 33). The socle of the outer buttresses, on the other hand, was decorated with basalt slabs carved in high relief (Carchemish 31–37).
It was anciently built upon; and at one end of it I saw fragments of very large Pillars, a yard and half diameter, and Capitals and Cornishes well carved. At the foot of the Mount was carved on a large stone a Beast resembling a Lyon, 39 40 with a bridle in his mouth; and I believe anciently a Person sitting on it: But the stone is in that part now broke away; the Tail of the Beast was Couped. Round about this place are high banks cast up, and there is the foot steps of walls on them. The gates seem to have been well built.
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