By Fred Lyon
With a landmark round each nook and an image ideal view atop each hill, San Francisco will be the world's such a lot picturesque urban. And but, the Golden urban is a lot more than postcard vistas. It's a city alive with historical past, tradition, and a palpable feel of grandeur top captured by way of a guy referred to as San Francisco's Brassai. strolling the city's foggy streets, the fourth-generation San Franciscan captures the local's view in dramatic black-and-white photos— from fog-drenched mornings in North seashore and cable autos on marketplace road to moody evening photographs of Coit Tower and the twists and turns of Lombard highway. In San Francisco, Portrait of a urban 1940–1960, Fred Lyon captures the enduring landscapes and one of a kind personalities that reworked the town via the bay right into a legend. Lyon's anecdotes and private remembrances, together with sly photographs of San Francisco characters similar to author Herb Caen, painters Richard Diebenkorn and Jean Varda, and madame and previous mayor of Sausalito Sally Stanford upload an artist's first-hand view to this portrait of a vintage American urban.
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Additional info for San Francisco, Portrait of a City: 1940-1960
I could see only the one sublime mountain, the one glacier, the one lake; the whole veiled with one blue shadow—rock, ice, and water close together without a single leaf or sign of life.
Many of the starry snow-flowers, out of which these banners are made, fall before they are ripe, while most of those that do attain perfect development as six-rayed crystals glint and chafe against one another in their fall through the frosty air, and are broken into fragments. This dry fragmentary snow is still further prepared for the formation of banners by the action of the wind. But far the greater part, after being driven into the sky again and again, is at length locked fast in bossy drifts, or in the wombs of glaciers, some of it to remain silent and rigid for centuries before it is finally melted and sent singing down the mountainsides to the sea.
A series of rugged zigzags enabled me to make my way down into the weird under-world of the crevasse. Its chambered hollows were hung with a multitude of clustered icicles, amid which pale, subdued light pulsed and shimmered with indescribable loveliness. Coming again to the surface, I noticed boulders of every size on their journeys to the terminal moraine—journeys of more than a hundred years, without a single stop, night or day, winter or summer. The sun gave birth to a network of sweet-voiced rills that ran gracefully down the glacier, curling and swirling in their shining channels, and cutting clear sections through the porous surface-ice into the solid blue, where the structure of the glacier was beautifully illustrated.
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