By Derek Traversi (auth.)
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1970. A King and No King, with Fletcher (produced 1611 ). 1619; edited by George Walton Williams, in Dramatic Works 2, 1970. Cupid's Revenge, with Fletcher (produced before 1612). 161 5 ; edited by Fredson Bowers, in Dramatic Works 2, 1970. The Coxcomb, with Fletcher (produced 1612). In Comedies and Tragedies, 1647; edited by Irby B. , in Dramatic Works I, 1966. The Masque of the Inner Temple and Gray's Inn (produced 1613). 1613; edited by Fredson Bowers, in Dramatic Works I, 1966. ). 1616; edited by Cyrus Hoy, in Dramatic Works 2, 1970.
Set in London, The DAY 41 Wits, his most successful and popular play, combines adroit handling of comic situation with vivacious and amusing dialogue, while Love and Honour, written directly afterwards and concerned with lofty themes of self-sacrificing love and manly valour, is Davenant's first essay in heroic drama. The several court masques which he produced in collaboration with Inigo Jones in the 1630's, though tediously complimentary at times, contain spirited and skilful writing in the songs and choruses.
WorkforArmourers; or, The Peace Is Broken. 1609. A Strange Horse Race. 1613. Dekker His Dream. 1620; edited by J. 0. Halliwell, 1860. DEKKER 45 A Rod for Runaways. 1625; revised edition, 1625; edited by F. P. Wilson, in Plague Pamphlets, 1925. The Black Rod and the White Rod, Justice and Mercy, Striking and Sparing London. 1630; edited by F. P. Wilson, in Plague Pamphlets, 1925. Penny- Wise Pound-Foolish; or, A Bristow Diamond Set in Two Rings and Both Cracked. 1631 ; in Selected Writings, 1968.
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