By Maurice Hinson
Now in paperback!Music for multiple Piano An Annotated GuideMaurice HinsonWhen one piano will not be enough."Maurice Hinson's [Music for multiple Piano] ought not just to face within the bookshelf for reference, yet as a real dictionary within the top feel, it may generally be learn for excitement and enlightenment." -- Konrad WolffIn an alphabetic directory through composer, this advisor describes works for 2 or extra keyboard tools composed often because 1700. the variety of combos is enormous: works for 2, 3, 4, or extra pianos; for 2 or extra pianos with different tools, voice, or tape; for piano and harpsichord; for 2 participant pianos; and for 2 pianos tuned a quarter-tone aside. There are compositions to be played on pianos via one, , 3, and 4 gamers, in addition to one paintings for 2 gamers, left hands.Maurice Hinson's feedback concerning the kind, the functionality difficulties, and the historical past of particular items are, as ever, insightful and pleasant. A treasure map for academics, scholars, and performers!Maurice Hinson, Senior Professor Emeritus of Piano at the Southern Baptist Theological Seminary, was once founding editor of the magazine of the American Liszt Society and is a contributor to the recent Grove Dictionary of yankee song. he's recognized for his many articles, movies, and lecture recitals, specially these on early American piano track. he's writer of a number of books on piano literature, together with the critical consultant to the Pianist's Repertoire, third variation (Indiana collage Press).March 2001 (cloth 1983)256 pages, 6 1/8 x nine 1/4paper 0-253-21457-2 $22.95 s / ?17.50
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Additional resources for Music for More Than One Piano: An Annotated Guide
15/5 (Schott 2445; PhillipIMC 1252; Nag; Ric; Stein < previous page page_6 next page > < previous page page_7 next page > Page 7 graber) 13 min. Allegro. Tempo di Menuetto: trills present some ensemble difficulty. This pleasant, light-textured, flowing work was written by J. S. Bach's youngest and possibly least-appreciated son. It displays a natural, relaxed, jovialness that clearly distinguishes the early Classical style from that of the Baroque. Requires clarity, precision, and vitality. M-D.
15 min. Opens slowly, soft with slipping overlaps, decorative. The title refers to the music's concern with lines, not to the struggle game of Linus and Apollo in Xenakis's piece of the same name. M-D to D. Charles-Wilfrid de Bériot (18331914) France De Bériot studied with Thalberg and taught at the Paris Conservatory. 61 (Hamelle; University of Colorado). Allegro moderato; Sérénade; Finale. Outer movements are freely tonal around , Sérénade in . Sounds like "fin de siècle" French international; similar to Widor, Franck, and Vierne.
Intermezzo (Canon at the Seventh). 65/8 (GS). , 14 min. Short contrasting pieces; freely tonal, neo-Classic. Details carefully worked out. Large span required. M-D. 73 (Hin) 15 min. Prelude; Invention; Pas de Deux; Allegro < previous page page_3 next page > < previous page page_4 next page > Page 4 Transformation; Finale; Epilogue. Spontaneous and unpretentious, nothing unusual in the harmonies. Performers not made to indulge in redundant musical pyrotechnics. M-D. 30 (Br&H 1893; LC) 17pp. For two pianos, eight hands.
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