By Birgit Haas
The final twenty years of the 20 th century gave upward push to a renaissance within the style of the political drama in Germany. even though political drama has consistently been a mainstay of German literature, it's been of specific value in the course of the years surrounding the Wende, or reunification, of 1989. This e-book is the 1st accomplished examine of politically engaged German drama writing within the Nineteen Eighties and Nineties, masking the works of key playwrights in the course of the interval and offering an research of oppositional theater prior to and after reunification. It treats the diversity of present political themes and their repercussions in drama writing, together with reunification, women's concerns, the media, politicized environmentalism and the vegetables, and right-wing radicalism. as well as validated playwrights akin to Heinar Kipphardt, Franz Xaver Kroetz, and Heiner M?ller, the ebook seems to be on the more youthful iteration of playwrights: writers corresponding to Oliver Bukowski, Dea Loher, Marius von Mayenburg, Albert Ostermaier, and Theresia Walser. It supplies an summary of contemporary German political drama via research of greater than 40 modern performs, sincerely tracing connections among politics and theater. each one bankruptcy is preceded by way of a brief creation into the respective political subject, supplying the framework for the examine of drama as a political software and making it effortless for college kids to determine the a number of ways that performs reply to political swap. This ebook should be of curiosity to scholars and students in drama and theater experiences and German literature.
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Extra resources for Modern German Political Drama 1980-2000 (Studies in German Literature Linguistics and Culture)
As he sides with Lila, the mother sets fire to the house during the night, and Hanna, their gentle and deaf daughter, is killed in the blaze. In the second part, the father becomes a ragged recluse who is mourning for his daughter. Living in the dilapidated barn next to the site of the former house, he refuses not only to rebuild the house but also to sell the land. Although the village around him is experiencing a modernization boom, he looks forward to dying. In the end, Siegfried and his family arrive, but not to help him.
21 Ulrike C. Wasmuht, “Die Entstehung und Entwicklung der Friedensbewegung der achtziger Jahre, in Neue soziale Bewegungen in der Bundesrepublik Deutschland, eds. Roland Roth and Dieter Rucht (Frankfurt/New York: Campus, 1987), 90–133, here: 110–12. 22 Edgar Allan Poe, “The Narrative of Arthur Gordon Pym of Nantucket,” in Edgar Allan Poe, The Complete Poems and Stories 2 (New York: Alfred A. Knopf, 1951), 721–854, here: 848–52. ’ Interview mit Urs Jenny and Helmut Karasek,” Sp 19, 1983, 196–207.
Ausgrenzungsmuster in den neuen kritischen Heimatstücken des süddeutschen und österreichischen Raums,” in Das zeitgenössische deutschsprachige Volksstück, eds. Ursula Hassel and Herbert Herzmann (Tübingen: Stauffenberg, 1992), 247–60. 54 Mario Stumpfe, “MundART-Realismus. Dramatische Texte zum Spielen,” in Stück-Werk 1 (Berlin: Internationales Theaterinstitut, 1997), 114–17, here 114. 55 The play was premiered at the Kammerspiele in Munich in November 1990, where it was warmly received, see Renate Schostack, “Schwarze Ballade, kühle Kunst,” Th 12 (1990): 40–41.
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