By Glyn S. Burgess
This is often the fourth quantity of Marie de France Bibliography, following on from the unique quantity (1977) and the 2 supplementations (1986, 1997). every one quantity offers complete information of variations and translations of the 3 works commonly attributed to Marie de France (the Lais, the Fables and the Espurgatoire seint Patriz), plus alphabetically prepared lists of books and articles, every one followed by means of a considerable precis, and knowledge on theses and dissertations.
Read or Download Marie de France: An analytical bibliography, Supplement No. 3 (Research Bibliographies and Checklists: new series) PDF
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Additional info for Marie de France: An analytical bibliography, Supplement No. 3 (Research Bibliographies and Checklists: new series)
E. an imaginary space; (iii) a conception of the writer’s art which is genuine literature. However, his conclusion concerning Marie herself was that, although she wrote with a graciousness that was not without its charm, there was no passion in her work; she just stopped short of being a true artist (‘elle s’arrête sur le seuil de l’art’, p. 858). 1286 Cottille-Foley, Nora, ‘The Structuring of Feminine Empowerment: Gender and Triangular Relationships in Marie de France’, in Gender Transgressions: Crossing the Normative Barrier in Old French Literature, ed.
The Lais have a double prologue: the General Prologue and the prologue to Guigemar. It is also noticeable that, unlike the Fables and the Espurgatoire, the Lais have no Epilogue. Marie may have composed what appears as the prologue to Guigemar in response to attacks by such people as Denis Piramus and Gautier d’Arras, and it should be placed at the end of the Lais; this is reinforced by the manuscript tradition. The article also examines the influence on the Lais of Apollonius of Tyre, especially on the storm scene in Eliduc.
107–11 must indicate that Tristan wanted to preserve what constitutes the heart of the lay: the subtle way in which he had informed the queen of what it was that summed up their destinies. 1296 Delcourt, Denyse, ‘Oiseaux, ombre, désir: écrire dans les Lais de Marie de France’, MLN, 120 (2005), 807–24. Examines Milun, Yonec, and Laüstic in the light of what the Prologue says about the process of interpretation. These three lays involve a bird and a lady who is kept enclosed within a bedroom by a jealous husband.
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