By Margot Note
This ebook explores concerns surrounding all features of visible assortment administration, taken from real-world adventure in developing administration platforms and digitizing middle content material. Readers will achieve the information to regulate the digitization method from commencing to finish, determine and outline the desires in their specific venture, and overview digitization recommendations. also, they are going to choose innovations which most sensible meet present and destiny wishes, collect the information to pick the simplest photos for digitization, and comprehend the criminal concerns surrounding digitization of visible collections.
- Offers useful details for the busy info professional
- Concentrates exclusively on photo management
- Focuses on distinctive wishes of born electronic and digitized images
Read or Download Managing Image Collections. A Practical Guide PDF
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Extra info for Managing Image Collections. A Practical Guide
Portraits were given to family, friends, and acquaintances; memento mori pictures were taken of the recently deceased; and people carried photographs of their loved ones with them. Oliver Wendell Holmes expressed the sentiment of the time when he wrote in 1861, “Those whom we love no longer leave us in dying, as they did of old. They remain with us just as they appeared in life; they look down upon us from our walls; they lie upon our tables; they rest upon our bosoms” (14). The commercial expansion of photography provided greater flexibility in terms for size, pose, and presentation.
Case components can help in dating the image, so long as they are original to the photograph. Over the glass is a sheet-brass mat, a metal support, and a gold-plated protector. To secure these elements, the completed ambrotype was placed in the right portion of a case lined with velvet-covered cardboard. In this example, the left portion of the case is missing. The back of the wooden case shows an embossed leather leaf design with a small lyre and heart-shaped clasp. 4 cm). Author’s collection.
Both authors commented on the pervasive nature of analog photography, but the volume and omnipresence of digital images has even more far-reaching corollaries for our visual culture. “It is the artist who is truthful and it is photography which lies, for in reality time does not stop,” remarked Rodin. The decisive moment captured in digital media may be lengthened and amplified by connecting it to other images online. In this way, digital photography, even more so than its analog predecessor, embodies nonlinearity and asynchronicity and serves as an initial recording, susceptible to modifications and recontextualization.
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