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By Moliere

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Sample text

Gueuser : mendier comme un gueux. 4. Encens : compliment. 5. Dogme exprès : règle formelle, absolue. 110 111 LES FEMMES SAVANTES ACTE III SCÈNE 3 VADIUS On voit partout chez vous Yithos et le pathos1. TRISSOTIN Nous avons vu de vous des églogues2 d'un style Qui passe en doux attraits Théocrite et Virgile3. VADIUS 975 Vos odes4 ont un air noble, galant et doux, Qui laisse de bien loin votre Horace5 après vous. TRISSOTIN Est-il rien d'amoureux comme vos chansonnettes ? VADIUS Peut-on rien voir d'égal aux sonnets que vous faites ?

Cette réaction ne s'explique-t-elle pas par un sentiment de Chrysale à l'égard de son frère ? « QU'AVEZ-VOUS, MARTINE ? » 4. Ariste est parti, laissant Chrysale plein de fermes résolutions. C'est le moment ou jamais de les mettre en pratique... Quelle attitude la scène 5 permet-elle à Chrysale de conserver ? 5. Qu'est-ce que le renvoi d'une domestique sans prendre l'avis du maître de maison laisse penser de la femme de Chrysale ? 6. Quel est l'effet produit par la coupure du vers 428 ? ). 1. Bailler : donner.

Ayant baissé pavillon devant sa femme, Chrysale est pris en « flagrant délit » par son frère... Montrez la subtilité manifestée par Chrysale pour rendre compte de l'avis de Philaminte ? sous forme d'atténuation ou d'omission. 6. Comment la scène évolue-t-elle depuis le début ? ) Quel est le plan de la scène ? 7. A-t-on déjà vu pareil accès d'énergie et d'autorité chez Chrysale ? Questions sur l'ensemble de l'acte Il INTÉRÊT DRAMATIQUE DE L'ACTE 1. Facilité : bon caractère. 2. Tout à l'heure : sur l'heure, tout de suite.

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