By Philip Pullman
A two-play dramatisation of Philip Pullman's outstanding award-winning myth trilogy, first visible on the nationwide Theatre.
His darkish Materials takes us on an exhilarating trip via worlds normal and unknown. For Lyra and may, its important characters, it is a coming of age and a reworking religious event. Their nice quest calls for a savage fight opposed to the main risky of enemies. They come upon fantastical creatures in parallel worlds rebellious angels, soul-eating spectres, child-catching Gobblers and the armoured bears and witch-clans of the Arctic. eventually, ahead of achieving, might be, the republic of heaven, they have to stopover at the land of the dead.
Note to performers: even supposing conceived for a theatre with wealthy assets, this version is usually staged in creative methods with out the help of subtle technology.
'Nicholas Wright... has risen to the problem with brilliance' - Mail on Sunday
'"Unstageable" used to be the 1st response of the nationwide Theatre's creative director, Nicholas Hytner, to the assumption of dramatising His darkish fabrics. yet final night's beginning has triumphantly proved him incorrect' - Sunday Times
'Children's theatre of an unusual adulthood and ambition... impressive in precisely the best way... moments of heart-stopping simplicity' - Independent
'The most well liked price tag on the town lengthy prior to press day... booklet to determine it subsequent Christmas' - Financial Times
Read or Download His Dark Materials (Stage Version) PDF
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Additional resources for His Dark Materials (Stage Version)
I’m sure you’ve never had brandy like this before. PANTALAIMON. I said, ignore him. TOP-HATTED MAN. And where are you going to, all alone? LYRA. I’m going to meet my father. TOP-HATTED MAN. Oh, your father? Is he someone very important? LYRA. Yes, he’s a murderer. TOP-HATTED MAN. A what? LYRA. A murderer. It’s his job. He’s doing a murder tonight. I got his soap and a clean towel in here, ’cause he’s usually all covered in blood when he’s finished. There he is now. He looks a bit angry. The TOP-HATTED MAN backs away and disappears.
I’m trying to get the college to pay for the expedition, and they don’t know that yet. Go away. No, stop. Let me look at you. He looks at her. You seem healthy enough. Show me your hands. She does. Disgusting. Where do you play, to get so dirty? LYRA. In the clay-pits. An’ up on the roofs. Rodge an’ me found a rook up there. It’d hurt its foot. I was gonna cook it an’ eat it, but Rodge said we oughta make it better, so we gave it some wine and some bits of food, an’ . . THOROLD is at the door.
LYRA and ROGER hide. The MASTER comes in. He looks round and, having established that the room is empty, takes a small phial from his pocket, empties it into the decanter and creeps out. LYRA and ROGER appear. He poisoned the wine! ROGER. How d’you know it’s poison? LYRA. It must be. Why else did he look around like that, all furtive-like? PANTALAIMON. You can’t jump out and make a fuss, we’ll get into trouble. LYRA. I can’t let Lord Asriel be murdered, Pan! ROGER. Shuddup! He’s here! LORD ASRIEL comes in with STELMARIA and THOROLD, who adjusts the projection equipment.
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