Download Hinduism and the Religious Arts (Religion And The Arts) by Heather Elgood PDF

By Heather Elgood

The roots among the Hindu faith and the broader tradition are deep and uniquely complicated. No learn of both historic or modern Indian tradition could be undertaken and not using a transparent figuring out of Hindu visible arts and their resources in spiritual trust and perform. Defining what's intended by way of faith - no such time period exists in Sanskrit - and what's understood through Hindu beliefs of attractiveness, Heather Elgood offers the simplest synthesis and significant learn of contemporary scholarship at the subject. furthermore, this ebook bargains severe heritage details for a person drawn to the social and anthropological roots of creative creativity, in addition to the rites, practices and ideology of the loads of thousands of Hindus on the planet today.>

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Extra resources for Hinduism and the Religious Arts (Religion And The Arts)

Sample text

These were originally elemental deities of the Vedic pantheon, who in later Sacred Imagery Hinduism became subsidiary to such major gods as Vishnu and Siva. These elemental deities helped to support the structure and to protect it from external chaos. They also helped the deity to communicate with and manifest itself in the world of man. They are the most important images on the wall and are placed on an axis with the centre of the shrine. 89 The figure on the back wall of a temple opposite the door is axially and spiritually the most closely related image to that of the inner sanctum.

5 Discriminating between magic and religion is difficult. In the Vedic period this may be discerned where important mantras were applied outside their original context for mundane objectives. In post-Vedic Hinduism there is a greater distinction between magic and religion, where magic is both socially approved and condemned. The Atharvaveda contains a rich collection of spells and magical rites (see Goudriaan 1978; Stutley 1980; Crooke 1894). Euro-centred cultures attempt through science and technology to control nature, while other non-European cultures such as North American, pre-Columbian and Hindu cultures suggest a symbiosis, rather than dominance.

The texts stress the need for the artist to be guided by inner vision and revelation, conceptualizing the appearance of the work during this mental state of openness and receptivity. The vision of the silpi yogins (sculptors) who follow this discipline represents a supreme form of concentration. Their art aims at the discovery and depiction of the true nature of reality. Sculptors do not see themselves as creators or innovators but as attempting to express an order that already exists (savam) of which they are a part and to represent it to the world.

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