By Yvonne Whelan, Niamh Moore
The examine of the cultural panorama has received momentum lately, revealing new insights to geographers, archaeologists, sociologists and designers. The cultural panorama is usually seen as an emblematic web site and hence a key participant within the historical past method. This ebook explores the overlapping and sometimes advanced relationships among id, reminiscence, background and the cultural panorama. It presents an summary of latest methods within the examine of those relationships, mixed with facts from eire, England, Scotland and the U.S.. those case stories show the importance of the earlier within the modern development of identification narratives and draw cognizance to the strong function of monuments and parades as websites of cultural historical past. the point of interest then shifts to the way background has turn into politicized for numerous ends, demonstrating the altering notion of specific background websites and structures, and the function that this has performed in developing and reconstructing specific identities.
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Additional resources for Heritage, Memory and the Politics of Identity: New Perspectives on the Cultural Landscape
2 41 A Life-size Bronze Sculpture of Annie Moore, Displayed in the Main Building on Ellis Island Source: Joanne Maddern which to examine some of the claims of identity transformation […] We might expect that museums as institutions would become redundant […] Alternatively, we might expect to see transformations within museums as they attempt to address and express ‘new identities’. (Macdonald 2003, 6) The Ellis Island Immigration Museum can be used as a prime case study to explore how complex identities which exceed simple national classifications are ‘managed’ within a national museum.
Landscape and Memory: Historiography, Theory, Methodology 17 its monumental incongruity a metaphoric pathway into modernity for the Dublin of the second half of the twentieth century. But it was a pathway that was never followed. The building remained a relatively isolated venture as the city retrenched, architecturally and culturally, in the 1960s. While the Celtic Tiger brought some sophistication many years later, Dublin’s built landscape has barely dragged itself to the level that Busáras suggested was possible: looking at the proliferation of clocks that appeared on buildings of the 1990s in Dublin makes the point very well: the city’s architecture during the boom years did not so much play with time, as postmodernism does, as simply tell the time.
Dissonance is intrinsic to heritage landscapes even in this very localized context. J. J. (eds) (1994), Building a New Heritage, Routledge, London. Basu, P. html. Buchanan, J. (1996), The Lewis Land Struggle, Acair, Stornoway. A. (1992), ‘Introduction’, in Halbwachs, M. ), On Collective Memory, University of Chicago Press, Chicago, pp. 1–40. Dicks, B. (2000), Heritage, Place and Community, University of Wales Press, Cardiff. A. (1998), From Chiefs to Landlords, Edinburgh University Press, Edinburgh.
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