By Stefan Richter
The Hands-On advisor to Flash Video is a certified reference ebook written through specialists which are presently assisting pros produce internet video and enforce Flash Media Server. This e-book covers Flash Video construction from soup to nuts, starting with tips to configure your camcorder and finishing to complicated server suggestions like bandwidth detection and FMS logging and reporting. genuine observe classes from case reviews of winning Flash Video deployments also are incorporated. Supplemental documents positioned at: www.flashvideobook.com by means of studying this booklet, you are going to discover ways to: * Shoot top of the range video for streaming * pick out the easiest encoder and encoding recommendations for generating Flash Video * set up Flash Video through innovative obtain or through the Flash Media Server. * Create and light-weight a compression pleasant set * Deinterlace and preprocess your video sooner than encoding * select encoding parameters like info expense, solution and body cost * Optimize encoding with Sorenson Squeeze, Flix seasoned and the Adobe Flash Video Encoder * Shoot and convey chromakey video for alpha channel supply * customise a Flash participant through skinning, and use Cue issues for navigation * Setup, set up, and continue Flash Media Server Key gains contain: * complex Flash Media Server suggestions and help * Tecniques for taking pictures internet video particularly for Flash streaming * writer counsel from ''in the trenches'' stories from specialists * Case reviews convey you real-world examples of winning Flash video deployment
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Extra resources for Hands-On Guide to Flash Video: Web Video and Flash Media Server
Use Soft Lights There are two types of light sources, hard and soft lights. Hard lights are generated by relatively small sources of lights that transmit directly to the subject, and include incandescent and halogen bulbs, and the sun (I know it’s pretty big, but it is really far away). Hard lights create a very distinct, well-defined shadow, like that on the left in Figure 4-3. Figure 4-3 Hard lights on the left, soft lights on the right. The problem with hard lights in the streaming scenario is that they create significant contrast between the lighter and darker regions in the image (like the right and left side of my face) and lots of lines and other detail, which combine to make it tougher for the codec to do its job.
Interframe Compression and Video Quality At a high level, there are two types of compression, intraframe and interframe. Intraframe compression occurs totally within a single frame, with no reference to other frames in the video. The most familiar example of an intraframe compression technology is JPEG, the most pervasive technology used in digital cameras and real-world pictures on the web. In contrast, interframe compression works between frames, using a system of key and delta frames to eliminate redundancy between frames.
They can also reflect light back to the camera, complicating exposure. • Beware those wearing glasses. When your subject wears glasses, remember to observe whether lights are reflecting in the lenses. If so, often you can avoid or minimize this by lighting the subject from the side. Theory Is Great, but Test Anyway If you follow these recommendations to the letter, chances are you’ll produce great results. Some problems, however, only become obvious when you compress your video to your target output parameters.
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