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Extra resources for Cognitive Procs. in the Perception of Art [psych.]

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Visual Arts Research, in press. Machotka, P. (1983). Perception, psychology and the study of art. Paper presented at the British Psychological Society, Welsh Branch, International Conference on Psychology and the Arts, Cardiff. Marschalek, D. (1983). A review of basic cognitive processes and their relevance to understanding responses to works of art. Visual Arts Research, 9, 23-33. hlartindale, C. (1975). Romantic Progression: The Psychology of Literary History. Washington, DC: Hemisphere. Martindale, C.

It is believed that he intended to complete a volume on art. While preparing a summary of his major philosophic work he stated in a letter, 'Already in the first sketch of the Philosophy of Symbolic Forms a particular volume on art was considered but the disfavor of the time postponed its working out again and again' (see Verene, 1977, p. 25). His actual writings on art are scant. Cassirer's relevance to understanding art has been maintained through the work of Langer (1953). Cassirer first makes reference to art in a paper entitled, Mythic Aesthetics and TkeoreticaZ Space (1969), and his most significant statement can be found in his summary work ' A n Essay on Man' (1944).

While e a c h a p p r o a c h h a s d e f i n e d a f o c u s o f i n t e r e s t t h a t t o u c h e s on a f u n d a m e n t a l a s p e c t o f a r t , i t seems t h a t no one a p p r o a c h a d d r e s s e s t h e c o m p l e x i t y o f a r t qua art. A l l t h r e e a p p r o a c h e s a r e more p u r p o s e l y o r i e n t e d towards t h e psychological p e r s p e c t i v e t h a t motivates t h e i r i n t e r e s r a t h e r than being o r i e n t e d towards understanding t h e d i s t i n c t i v e n a t u r e of a r t and a r t i s t i c a c t i v i t y .

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