By Jack Thorne
A play approximately grief and looking out at a person that little bit extra heavily. Tom's brother Luke is lifeless. This has disappointed lots of people however it hasn't dissatisfied Tom. Or, quite, it has disenchanted him, yet in methods he cannot clarify and people can''t comprehend. you notice, Tom and Luke have been by no means acquaintances. in reality, Tom didn''t rather like Luke in any respect. So it truly is a strange selection - to attempt and bury Luke within the pavement of the Tunstall property the place he used to be killed. yet to Tom, it kind of is smart, in a stupid-weird form of approach. As he sleeps out at the pavement, he comes throughout making plans officers, tramps, unde Read more...
summary: A play approximately grief and looking out at anyone that little bit extra heavily. Tom's brother Luke is useless. This has dissatisfied lots of people however it hasn't disenchanted Tom. Or, quite, it has disenchanted him, yet in methods he cannot clarify and folks can''t comprehend. you notice, Tom and Luke have been by no means acquaintances. in reality, Tom didn''t rather like Luke in any respect. So it truly is a wierd choice - to attempt and bury Luke within the pavement of the Tunstall property the place he used to be killed. yet to Tom, it type of is smart, in a stupid-weird form of approach. As he sleeps out at the pavement, he comes throughout making plans officers, tramps, unde
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Additional info for Burying your brother in the pavement
All the while the singing gets more intense. A descant is put into effect, and a base line and a tenor line. It sounds kind of great, a wonderful swelling noise. And you try to shut out The niggling in your snout That you’re a nasty bastard With no feelings With no feelings Wwwith no feeeeelings… Finally TOM manages to escape and runs from the pursuing furniture, out of which COURTNEY slips. COURTNEY (stays as COURTNEY). Tom! Tom. TOM! He turns, looks at her a second, and then turns back to fleeing.
Where do you put a dead body? You dig? He attempts to make his exit again. This time when TOM stops him, he’s annoyed. TOM. I don’t dig. No. STAN. Then there’s public health – a dead body lives in a whole new way, kiddo. It disintegrates. Disintegrates over our lovely pipes and releases toxins into the atmosphere that really could really jazz up public health. Then there’s the smell – I mean environmental health, say hello? Hello. Goodbye. People walk past on a hot day – sun in their face, hope in their heart, they sniff, they think, they say ‘What’s that smell?
M. than shouting. COURTNEY. You just ran off. Mum and Dad have been ringing round the hospital wards for the last three hours. They thought you’d done something stupid. TOM. Well, I haven’t. COURTNEY. YES YOU HAVE! Luke’s funeral and you pull this stunt. What? Worried you weren’t getting enough attention…? TOM. It’s not about that. COURTNEY. Don’t try and pretend you cared about him… You hated each other. TOM. I know. COURTNEY. So why are you here? TOM. I don’t know. Felt right. COURTNEY picks him up by the arm and starts pulling him offstage.