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Extra resources for Arthur Miller
12 Miller's drama is a record of that search and of its discoveries. All My Sons' When Arthur Miller began his career in the early 1940s, there were no subsidised theatres, no permanent repertory companies, no avant-garde, not even the alternative commercial theatre that later developed 'Off-Broadway'. Professional theatre was confined almost entirely to New York City, and there it was in the hands of commercial managers. The key figure in the business of presenting plays on Broadway was not the writer nor the director (and certainly not the actor) but the producer.
It begins with Willy remembering his son waxing the car and proceeds to recollections of other details such as the way in which Biff 'borrowed' a football from the school locker-room. The guilt Willy felt even then about exaggerating his own accomplishments and encouraging his sons to disregard the law is suggested by the appearance of Linda in the memory. Since Willy could never deceive his wife with quite the same facility that he could impress his sons, Linda serves as a kind of conscience making him confess his true earnings and his real sense of inadequacy- 'The trouble is, Linda, people don't seem to take to me.
About the same time Miss Monroe was winning a divorce from her husband Joe DiMaggio, the famous baseball player. The couple were seen together in public, but it was not until after Miller's appearance in Washington that the stories were confirmed. In an attempt to win some privacy for themselves, they scheduled a press conference at Miller's Roxbury farm. Some 400 journalists and photographers representing newspapers from all over the world flocked to the country to get news of what was to become one of the most publicised matches of the decade.
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