By Alfred Bendixen, James Nagel
A better half to the yank brief Story lines the improvement of this flexible literary style over the last two hundred years.
- Sets the quick tale in context, being attentive to the interplay of cultural forces and aesthetic ideas
- Contributes to the continued redefinition of the yankee canon, with shut awareness to the achievements of girls writers in addition to such very important genres because the ghost tale and detective fiction
- Embraces different traditions together with African-American, Jewish-American, Latino, Native-American, and nearby brief tale writing
- Includes a bit all for particular authors and texts, from Edgar Allen Poe to John Updike
Chapter 1 The Emergence and improvement of the yank brief tale (pages 1–19): Alfred Bendixen
Chapter 2 Poe and the yankee brief tale (pages 20–34): Benjamin F. Fisher
Chapter three A advisor to Melville's “Bartleby, the Scrivener” (pages 35–49): Steven T. Ryan
Chapter four in the direction of heritage and past: Hawthorne and the yankee brief tale (pages 50–67): Alfred Bendixen
Chapter five Charles W. Chesnutt and the Fictions of a “New” the US (pages 68–77): Charles Duncan
Chapter 6 Mark Twain and the yank comedian brief tale (pages 78–90): David E. E. Sloane
Chapter 7 New England Local?Color Literature: A Colonial Formation (pages 91–104): Josephine Donovan
Chapter eight Charlotte Perkins Gilman and the Feminist culture of the yank brief tale (pages 105–117): Martha J. Cutter
Chapter nine the fast tales of Edith Wharton (pages 118–132): Donna Campbell
Chapter 10 the quick tales of Stephen Crane (pages 133–151): Paul Sorrentino
Chapter eleven Kate Chopin (pages 152–170): Charlotte Rich
Chapter 12 Frank Norris and Jack London (pages 171–186): Jeanne Campbell Reesman
Chapter thirteen From “Water Drops” to basic moves: 19th? and Early Twentieth?Century brief Fiction and Social switch (pages 187–214): Andrew J. Furer
Chapter 14 the 20 th Century: A interval of Innovation and Continuity (pages 215–223): James Nagel
Chapter 15 The Hemingway tale (pages 224–243): George Monteiro
Chapter sixteen William Faulkner's brief tales (pages 244–255): Hugh Ruppersburg
Chapter 17 Katherine Anne Porter (pages 256–276): Ruth M. Alvarez
Chapter 18 Eudora Welty and the quick tale: conception and perform (pages 277–294): Ruth D. Weston
Chapter 19 the quick tales of F. Scott Fitzgerald: constitution, Narrative process, type (pages 295–315): Kirk Curnutt
Chapter 20 “The glance of the World”: Richard Wright on standpoint (pages 316–327): Mikko Tuhkanen
Chapter 21 Small Planets: the quick Fiction of Saul Bellow (pages 328–344): Gloria L. Cronin
Chapter 22 John Updike (pages 345–365): Robert M. Luscher
Chapter 23 Raymond Carver within the Twenty?First Century (pages 366–379): Sandra Lee Kleppe
Chapter 24 Multi?Ethnic woman identification and Denise Chavez's The final of the Menu women (pages 380–388): Karen Weekes
Chapter 25 panorama as Haven in American Women's brief tales (pages 389–407): Leah B. Glasser
Chapter 26 the yankee Ghost tale (pages 408–424): Jeffrey Andrew Weinstock
Chapter 27 The Detective tale (pages 425–435): Catherine Ross Nickerson
Chapter 28 The Asian American brief tale (pages 436–449): Wenying Xu
Chapter 29 The Jewish American tale (pages 450–465): Andrew Furman
Chapter 30 The Multiethnic American brief tale (pages 466–481): Molly Crumpton Winter
Chapter 31 “Should I remain or should still I Go?” American Restlessness and the Short?Story Cycle (pages 482–501): Jeff Birkenstein
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Additional info for A Companion to the American Short Story
While presenting the distinctive qualities of particular places and different cultures, realist writers usually affirmed the common humanity that united the citizens of the various regions of a vast nation. In this respect, realism was fundamentally optimistic in its belief that an honest confrontation with difference will usually lead towards greater understanding and tolerance. It is possible to find realistic stories that deal with almost every part of the United States. New England was particularly well served by the women writers mentioned earlier who helped to create realism and later by Mary E.
Irving, Washington. The Letters of Washington Irving to Henry Brevoort. 2 vols. Ed. George S. Hellman. New York: G. P. Putnam’s Sons, 1915. Levy, Andrew. The Culture and Commerce of the American Short Story. Cambridge: Cambridge University Press, 1993. Lohafer, Susan, and Jo Ellen Clary, eds. Short Story Theory at the Crossroads. Baton Rouge: Louisiana State University Press, 1983. Martin, Jay. Harvests of Change. Englewood Cliffs, NJ: Prentice-Hall, 1967. Matthews, Brander. The Philosophy of the Short Story.
Hawthorne, Melville, and Poe: Critical Essays in Honor of Darrel Abel. Eds. G. R. Thompson and Virgil L. Lokke. West Lafayette, IN: Purdue University Press, 1981. 355–74. ———. The Very Spirit of Cordiality: The Literary Uses of Alcohol and Alcoholism in the Tales of Edgar Allan Poe. Baltimore: Enoch Pratt Free Library and the Edgar Allan Poe Society of Baltimore, 1978. Greene, Douglas G. John Dickson Carr: The Man Who Explained Miracles. New York: Otto Penzler, 1995. Hammond, Alexander. ” Poe at Work: Seven Textual Studies.
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