Browse Category by Artists, Architects & Photographers
Artists, Architects & Photographers

Edward Hoare: A Record Of His Life Based Upon A Brief

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Language: English

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Postmodernism is a era without a dominant ideology but with a pluralism of styles. At the lower level, students focus on a range of subject matter from historical motifs (figure, still life, landscape) to contemporary ideas in art. Crawford, who lives in the outskirts of Philadelphia where Whitman settled at the end of his life, writes in the foreword: Whitman wanted to create a new form of verse, one that was indigenous to America. Other mosques of the Pandua/Gaur region skilfully recycled material from Hindu and Buddhist temples, creating a uniquely lyrical and expressive Bengali Islamic style.

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Artists, Architects & Photographers

Pablo Picasso (Reaktion Books - Critical Lives)

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Language: English

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DVD 4438 Chronicles the life and work of Cuban artist Ana Mendieta. Occasional writing assignments will also be required. Scott Thomas will be claiming the crown in this new version of the play – possibly including a meeting with Tony Blair – which is also opening on Broadway this season with Helen Mirren reprising her role as HM. I ordered our name and loved it now I am ordering for gifts. C., school system, had begun painting her bold expressionist abstractions of hovering, saturated colors by the late 1950s.

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Artists, Architects & Photographers

Who Paul Babineau Is and His Seven Worthy Endeavours

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Language: English

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The fine art of Mesopotamia survives mainly in the form of sculpture (both relief and in-the-round) and architecture. The program develops analytical skills and methodologies needed to explore Hispanic and Hispanic-American languages and cultures. The cemetery is also accessible from the Metro North Railroad Harlem Line (Woodlawn Station). These include the latest electronic technologies, such as digital imaging and the internet (see, for example, New media art in India ); familiar genres with a long history that continue to be practiced with great vigor, such as painting (see, for example, Julie Mehretu and Shahzia Sikander ); and materials and processes once associated primarily with handicrafts, re-envisioned to express new concepts (see Craft and contemporary art ).

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Artists, Architects & Photographers

A Book of Cheerful Cats and Other Animated Animals

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Language: English

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Size: 11.91 MB

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Page 5 Copyright contracts and earnings of visual creators Table of Contents Introduction............................................................................................................................................ 9 Methodology........................................................................................................................................ 10 Relationship of sub-samples .................................................................................................... 14 Response Rates ......................................................................................................................... 17 Basic Demographics .......................................................................................................................... 18 Location (by UK region)............................................................................................................. 18 Type of visual creator ................................................................................................................ 20 Main media outlets used for publication ................................................................................. 22 Gender ......................................................................................................................................... 25 Age ............................................................................................................................................... 27 Number of years working as a visual creator ......................................................................... 29 Size of households ..................................................................................................................... 31 Highest educational qualification ............................................................................................. 33 Percentage of visual creators with or without formal arts training ...................................... 35 Percentage spending 50% or more time in visual creation ................................................. 37 Percentage of visual creators with a second job ................................................................... 39 Earnings Analysis ............................................................................................................................... 41 Comparing Self Employed, Individual, Household & DACS Income .................................. 43 Contribution of self-employed earnings to total individual income ..................................... 51 Mean Income of female creators as a percentage of male income.................................... 53 Median self-employed income by age group ......................................................................... 55 Difference in mean income of visual creators below 45 years of age and those aged 45 and above .................................................................................................................................... 57 Median self-employed income by number of years working as a visual creator .............. 59 Median self-employed income by type of media ................................................................... 61 Median self-employed income by type of visual creators .................................................... 63 Page 6 Copyright contracts and earnings of visual creators Median self-employed income by highest educational qualification................................... 65 Contractual Behaviour ....................................................................................................................... 67 Percentage taking legal/ professional advice before signing a contract (2009-2010) ..... 69 Percentage attempting to negotiate the terms of a contract offered (2009-2010) ........... 71 Grounds of negotiation .............................................................................................................. 75 Perceived change in personal bargaining position (2000-2010)......................................... 77 Percentage of works identified or credited on publication (2009-2010)............................. 80 Perceived change in amount credited on publication (2000-2010) .................................... 83 Percentage of clients seeking to assign (i.e. acquire) copyright ......................................... 85 Percentage of copyright assignments (2009-10) .................................................................. 88 Perceived change in copyright assignments (2000-2010) ................................................... 91 Percentage of visual creators who waive moral rights ......................................................... 94 Percentage of works (2009-10) for which visual creators waive moral rights ................... 97 Perceived change in percentage of moral rights waivers (2000-2010) ............................. 99 Disputes with a publisher over moral rights ......................................................................... 102 Grounds of moral rights disputes ........................................................................................... 105 Self-employed median income of visual creators who transfer Copyright in 50% and more of their works, less than 50% of their works and those who do not transfer at all108 Percentage of visual creators transferring copyright in 50% and more of works ........... 110 Self-employed mean income of visual creators who waive moral rights in 50% and more of their works, less than 50% of their works and those who do not waive moral rights 112 Use of creative commons type licences (2009-2010)......................................................... 114 Percentage of works available on the Internet (2009-2010).............................................. 117 Percentage of visual creators receiving payments for specific Internet uses ................. 119 Percentage of works for which specific internet payments received ................................ 121 Perceived change in income received from secondary use/ re-licensing (2000-2010). 125 Use of intermediaries ............................................................................................................... 127 Median self-employed and DACS incomes by type of intermediary ................................ 129 Page 7 Copyright contracts and earnings of visual creators Difference in mean income of visual creators with or without attempts to negotiate ..... 133 Contracts (Legal Analysis) .............................................................................................................. 135 Focus Group Transcript................................................................................................................... 141 Bibliography ...................................................................................................................................... 159 Glossary ............................................................................................................................................. 162 Appendix: Survey Instrument ......................................................................................................... 165 Page 8 Copyright contracts and earnings of visual creators Introduction4 In 2010, the UK collecting society for visual creators DACS5 commissioned a study of copyright contracts and artists‟ earnings from a team of lawyers and social scientists at the Centre for Intellectual Property Policy & Management (CIPPM) at Bournemouth University and the Centre for Intellectual Property and Information Law (CIPIL) at the University of Cambridge.

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Artists, Architects & Photographers

Colin McCahon: The Titirangi Years

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Language: English

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Her passion for art and music comes from a lifetime of participating in many forms of art. You’ll have a range of learning experiences to further develop your skills, perspectives and understanding of the continuum of care provided by nurses. For more about the history of painting, sculpture, architecture and crafts of ancient Rome, see: Roman art. Mark is currently exhibiting at Heide Museum of Modern Art, Victoria, in 'Perfect for every occasion, Photography Today' curated by Zara Stanhope.

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Artists, Architects & Photographers

Thomas Gainsborough (British Artists)

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Language: English

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It takes on challenging issues that sometimes defy resolution and trains the brain to think in a rigorous and analytic way about all the possible answers and what's at stake. To enlarge the background and knowledge of students about the funeral service profession; 2. Spanning time and genre, the literary texts studied will take us from the earliest, Jonathan Swift's satire, A Tale of a Tub (1704) up to the contemporary: Siri Hustvedt's novel, What I Loved (2003) and her analytical memoir, The Shaking Woman, Or, A History of My Nerves (2010).

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Artists, Architects & Photographers

Dark Night: Walking with McCahon

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Language: English

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The term, which is also sometimes used more loosely to describe any works with the capacity to transform themselves, was first used by Gustav Metzger in a manifesto (November 1959). Production and consumption are parts of the same cycle. These vessels are embellished with inscriptions, usually in the form of a moralizing proverb. It covers both experienced and amateur artist, offering reviews for galleries and exhibits. Studying the nuances of nature both its horror and its beauty is the contemporary subject of Plein Air drawing today.

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Artists, Architects & Photographers

Frida Kahlo: The Paintings Frida Kahlo

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Language: English

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Fire Tree is a kinetic sculpture that reflects the dynamic changes of nature through the passing of time. Artist Jeff Koons talks about his exhibition at the Sonnabend Gallery featuring objects from popular culture made of polished polychrome wood and porcelain. Both utopian & dystopian histories of unconventional physical & human environments will be explored through lectures, discussions, films, field trips, readings, & experimental practice. An Ottoman Curtain From the Tawassul at Medina (detail).

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Artists, Architects & Photographers

Frida Kahlo: The Paintings

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Language: English

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Size: 13.00 MB

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Majors are required to complete at least one introductory Art Practice course. *Consult an academic adviser if a course is not listed above. DVD X3940 Discribes the careers and lives of three American women artists. These programs take anywhere from 1 to 5 years to complete. In the article, “So These Three Artists Walk Into a Jeff Koons Show,” John Seed wrote: “(He) believes that the postwar dominance of Abstract Expressionism -- and later Conceptualism and Post-Modernism -- diminished the centrality of skill in art-making and generated this widespread negative bias.

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Artists, Architects & Photographers

Francis Bacon: Anatomy of an Enigma

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Language: English

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Size: 10.24 MB

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With class size limited to 12 students, we offer a very personal, tailored service throughout the year. "Central Saint Martins has offered me a place on Foundation Pathway: Graphic Design. The Archive documents the art and architecture of these countries in situ, as well as works of art found in most major Asian, European, and American museums. Artists included Jennifer Bartlett, Jonathan Borofsky, Barry Ledoux, Robert Longo, David Salle, Joel Shapiro, Cindy Sherman and others.

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